It’s either a Tuesday or a Thursday, whichever is first in
the month, 1965. If during the school year, it would be afternoon. The place: Brooklyn, the local candy store.
The occasion? The day the comics come
out.
I might arrive before they’ve been put up. If so, they’re in
a stack, maybe a foot high, wrapped by wire on four sides like Christmas
ribbon. I’d ask Mr. Z, the Jewish
proprietor, to pleeeez open them up. No need to look for a scissor, just
unwind the wire. I can do it! Don’t delay!
And there they were!
Maybe three or four of the first batch of this month’s titles. Perhaps
Tales of Suspense or Tales to Astonish. Perhaps a Sgt. Fury. Hopefully at least one of the major titles:
Fantastic Four, Thor, Spider-Man. Gold.
Those stunning Jack Kirby covers, jumping out at me,
demanding to be lovingly picked up and oh-so carefully opened. Or a Steve Ditko Spider-Man or Strange Tales. Beautiful also, though in a
distinctly different way.
This was the ritual that dominated my youth at ages eleven,
twelve, and thirteen. If I remember correctly, the comics would come out as
early as the first Tuesday or Thursday in the month. It might take two weeks of
Tuesdays and Thursdays for the full complement of the month’s Marvels to come
out. Then would come the unbearable two
week-or-so wait for next month’s issues.
Kirby spoke about the importance of the covers. It was a
business, after all, and the cover was the sizzle that sold the steak. Those
covers had to leap out at you and demand ownership! This was why Kirby drew most of the covers
regardless of who drew the stories inside (except for Steve Ditko’s, the lesser
giant).
My first Marvel was Thor #114. It’s not hard to see why it
grabbed my attention and compelled me to part with 12 cents—which was probably
a lot of money to me back then.
You could buy 2 candy bars and have enough left over to buy two Tootsie-rolls or 2 Bazooka Joes with 12 cents.
Who can remember that far back? My weekly allowance—if I had any—might’ve
been 25 cents. Possibly a buck?
Look at this image! Imagine
seeing it through the eyes of an 11-year-old boy. The noble hero combating an
escaped convict. Kirby is the acknowledged 'King' of the medium, and this picture
illustrates why. That hammer is hitting that ball and chain! Like, really! The
motion of the arm and the body twisting in concert; the surefooted stance from
which derives the upper-body strength. The brutal ferocity of the “Absorbing
Man,” seemingly equal in power to the noble Thunder God.
They were a revelation.
Where have you been all my life? Within
a couple of months I became a collector of every single Marvel title. I read
them and re-read them, in the most delicate fashion. Fingertips only. Never—ever!—bending
back. No one was allowed to touch them, let alone read them. Not even my
brother. They were safely stored in a box; unfortunately, not in bags with
boards.
As these moments defined my life at this time, I naturally
sought companionship to share this with. I made friends with the other kid in
the neighborhood who understood. He was a Puerto Rican kid from across the street.
After buying the new comics we didn’t take them home to read
them—we read them
immediately. Wherever we were. We’d find a stoop to squat on, or just stand on
the sidewalk. First the awesome splash page, almost as good as the cover. As we
looked at the panels, at the action in those panels, we were those characters! We became
Captain America jiu-jitsuing Batroc the Leaper. This was the power—no, the
magic!—of Jack Kirby’s art. He had an
ability to capture motion, not just fighting motion, but just normal movement
of the body, in a naturalistic way that no other artist came close to
approximating.
And Kirby’s figures lived within frames of exquisite composition and masterful design, often with stunning background detail.
Perhaps they were just taken for free off the hands of some mom who was sick of her son reading “those comic books.” An alternative to throwing them into the garbage—which was the common final resting place for most comics.
When we first discovered this trick, we of course bought every single old Marvel around. There were maybe three or four merchants in the neighborhood who sold used comics. They kept them in boxes behind the counter, so you had to ask for them. These were places that did a brisk trade in 15-cent egg-creams and nickel bags of Wise potato chips.
So our daily routine was to hit these stores and see if
someone had brought in any Marvels since the last time we checked. In a way,
this was almost as exciting as the thrill of seeing the brand new comics,
because you never knew what might turn up.
This was before there were any reprints. We had no idea what previous
issues contained. Who the FF fought in some random previous issue. Earlier
costumes. We didn’t know that a few months prior “Thor” was titled “Journey into
Mystery.” A Tales of Suspense with no Captain America feature? Imagine the
thrill of finding one of those!
These excursions were for us, literally treasure hunts. Any
old Marvels that we found were, indeed, treasure to us. There is
nothing—nothing!—we wanted more. Treasure.
We were relentless in pursuit of the older issues. We researched leads. We traded with each other. My goal in life was to get every single Fantastic Four and Thor. We wanted them all.
We were relentless in pursuit of the older issues. We researched leads. We traded with each other. My goal in life was to get every single Fantastic Four and Thor. We wanted them all.
What actually happened is that these ‘behind the counter
used comic books’ sources eventually dried up.
And then I moved. From the ghetto that was Williamsburg to a
better neighborhood: Bay Ridge. I continued collecting Marvels... for a few
years. My Puerto Rican friend’s family returned to Puerto Rico. We wrote a few
times. I eventually made new friends who collected Marvels.
But it was Junior High now, and I was discovering new
interests. Music (after all, it was the mid-sixties). Girls. I kept collecting
for awhile, but the magic incrementally disappeared. In fact, it wasn’t just growing up—the magic really had gone! With hindsight, it’s clear that there was a peak
period for Marvel comics, roughly spanning the years 1964 through 1967. When
Jack Kirby and Stan Lee fed on each other’s creativity like Lennon and
McCartney.
Jack Kirby eventually left Marvel, but the decline began some
years before. Some of the titles began simply reprinting older issues. That
seemed like outright theft to me.
It’s hard to be completely objective, but looking back it
really does appear as if latched on just in the nick of time. Very lucky, I
guess.
Here’s to you, Jack Kirby, and to my Puerto Rican buddy from
Williamsburg, wherever you are. Thank you. And yes, I still have my
comics.
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